Jay Griswold was born in New Orleans, Louisiana, and has traveled extensively
throughout the world. He has a MA in Creative Writing from
Colorado State University, and currently resides in Ft. Myers, Florida. He
is the author of three award-winning collections of poetry, Meditations For
the Year of the Horse, The Landscape of Exile, and Conquistador (Main
Street Rag Book Award, 2004).
Robert Bly Jeffery Beam Kathryn Stripling Byer Hungarian Rene Char Bill Knott Phebe Davidson Lee Ann Brown Simon Perchik Quincy Troupe R. T. Smith William Matthews Newton Smith Robert Creeley Marilyn Kallet Spanish J. W. Bonner Patrick Bizzaro Emmanuel Moses Keith Flynn Jack Hirschman Al Maginnes Dede Wilson Sally Buckner Gaylord Brewer Ryan G. Van Cleave Stella Vinitchi Radulescu Emöke Z. B’Racz Essay Welsh Luke Hankins Thomas Rain Crowe Thomas P. Feeny Eugenio Montale Jonathan Williams Review Lyn Lifshin Gearóid Mac Lochlainn Michael Harper Marilyn Hacker Russian Ron Rash Jonathan Greene Patricia Smith Janice Moore Fuller
Issue
- 19 Vol. 16, No. 1
- 18 Vol. 15, No. 1
- 17 Vol. 14, No. 1
- 16 Vol. 13, No. 1
- 15 Vol. 12, No. 1
- 14 Vol. 11, No. 1
- 13 Vol. 10, No. 1
- 12 Vol. 9, No. 1
- 11 Vol. 8, No. 1
- 10 Vol. 7, No. 1
- 9 Vol. 6, No. 1
- 8 Vol. 5, No. 1
- 7 Vol. 4, No. 1
- 6 Vol. 3, No. 2
- 5 Vol. 3, No. 1
- 4 Vol. 2, No. 2
- 3 Vol. 2, No. 1
- 2 Vol. 1, No. 2
- 1 Vol. 1, No. 1
- The William Matthews Poetry Prize
- Subscriptions and Availability
- Back Issues
- About Asheville Poetry Review
- Submissions
- Contact Information
- Home
- Contributors
- Home
Links
- A Way of Happening: A Blog about Poetry, the Arts, and Ideas in General
- Academy of American Poets
- Beloit Poetry Journal
- Blackbird
- Carolina Quarterly
- Copper Canyon Press
- Crazyhorse
- Iris Press
- Keith Flynn
- Main Street Rag
- Malaprop’s Bookstore
- Nantahala Review
- NC Writers’ Network
- Oyster Boy Review
- Ploughshares
- Poetry Daily
- Poetry Society of America
- Poets and Writers
- Poets House
- Rattapallax
- The Cafe Review
- The Chattahoochee Review
- The Paris Review