About Asheville Poetry Review

Asheville Poetry Review is an annual literary journal that publishes 180–220 pages of poems, interviews, translations, essays, historical perspectives, and book reviews. Since its inception in 1994, Asheville Poetry Review has published over 1800 new and established writers from 22 different countries, including Robert Bly, Patricia Smith, Lawrence Ferlinghetti, Joy Harjo, Gary Snyder, Billy Collins, Lucille Clifton, Hayden Carruth, Ai, Marilyn Hacker, Yusef Komunyakaa, Eavan Boland, R. S. Thomas, A. E. Stallings, Yevgeny Yevtushenko, Fred Chappell, Dorianne Laux, David Kirby, Marilyn Nelson, Diane Seuss, Robert Morgan, Quincy Troupe, Sherman Alexie, Marvin Bell, Michael Harper, Ciaran Carson, B. H. Fairchild, Carl Phillips, and Colette Inez. From its first regional issue, Asheville Poetry Review has grown into an international publication with distribution to major bookstores across the U.S. and Canada as well as to many independent bookstores in the U.S. and in several European countries.

We have two submission periods: September 15 – January 15 for the William Matthews Poetry Prize and January 15 – July 15 for regular submissions. All submissions must be sent digitally via Submittable.

Founder/Managing Editor Keith Flynn
Senior Editor Luke Hankins
Contributing Editor Sebastian Matthews
Editorial Board Emöke Z. B’Racz
Beto Cumming
J. W. Bonner
Robert West
Staff Writers Patrick Bizzaro
Mary Ellen Talley
Jennifer Franklin
Suzanne Cleary
Bruce Spang
Design Beto Cumming
Art Director Denise Petrey
Keith Flynn

Founder & Manging Editor

Keith Flynn (www.keithflynn.net) is the award-winning author of eight books, including six collections of poetry: most recently Colony Collapse Disorder (Wings Press, 2013) and The Skin of Meaning (Red Hen Press, 2020), and two collections of essays, entitled The Rhythm Method, Razzmatazz and Memory: How To Make Your Poetry Swing (Writer’s Digest Books, 2007), and Prosperity Gospel: Portraits of the Great Recession (RedHawk Publications, 2021). From 1984-1999, he was lyricist and lead singer for the nationally acclaimed rock band, The Crystal Zoo, which produced three albums: Swimming Through Lake Eerie (1992), Pouch (1996), and the spoken-word and music compilation, Nervous Splendor (2003). His latest album is Keith Flynn & The Holy Men, LIVE at Diana Wortham Theatre (2011). He is the Executive Director and producer of the TV and radio show, “LIVE at White Rock Hall,” (www.liveatwhiterockhall.com) and Animal Sounds Productions, both which create collaborations between writers and musicians in video and audio formats. He has been awarded the Sandburg Prize for poetry, a 2013 NC Literary Fellowship, the ASCAP Emerging Songwriter Prize, the Paumanok Poetry Award and was twice named the Gilbert-Chappell Distinguished Poet for NC. Flynn is founder and managing editor of The Asheville Poetry Review, which began publishing in 1994.

Luke Hankins

Senior Editor

Luke Hankins is the author of two full-length poetry collections, Radiant Obstacles and Weak Devotions, as well as a poetry chapbook, Testament (Texas Review Press, 2023). He is also the author of a collection of essays, The Work of Creation, and a volume of translations from the French of Stella Vinitchi Radulescu, A Cry in the Snow & Other Poems. He is the founder and editor of Orison Books, a non-profit literary press focused on the life of the spirit from a broad and inclusive range of perspectives.

Sebastian Matthews

Contributing Editor

Sebastian Matthews is the author of a memoir, two books of poetry, the collage novel The Life & Times of American Crow, the hybrid collection Beginner’s Guide to a Head-on Collision, and a book of creative nonfiction, Beyond Repair: Living in a Fractured State. His The Patient Body: A Personal Narrative in Pieces comes out from Red Hen Press spring of 2025. Matthews lives with his family in Asheville, North Carolina, where he serves on faculty of the Great Smokies Writing Program and on the advisory boards of Story Parlor and Orison Books. His jazz and talk show, Jazz Hybrid, airs weekly on WPVM103.7 FM, live-streaming at wpvmfm.org Tuesdays and Sundays at 3:00-5:00 EST. He also hosts a Substack podcast, Cut for the Dog: The Art & Craft of Personal Narrative.

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